

I just returned from a trip to Portugal, and I am still carrying a little bit of it with me. I have loved fado for many years, the traditional Portuguese style built around raw, unguarded emotion, but hearing it live, surrounded by musicians in the place where it was born, was something else entirely. Two years ago I heard fado in the Azores while visiting family, and this trip reminded me how much each region shapes it differently, Lisbon and Porto each carry their own version of the same ache and warmth.
I purchased a Portuguese guitar around that same time and had not done much with it since. After this trip, I am looking forward to pulling it out of its case and seeing what I can do with it.
As a therapeutic musician, I think a lot about what makes music land for someone in a vulnerable moment. Fado reminded me, again, that it is rarely about technical perfection. It is about presence, about a musician willing to be fully in the feeling of the moment alongside the person receiving it. When I play live therapeutic music at the bedside, I draw on traditions from around the world, I look forward to including the fado I experienced firsthand in Portugal, to meet each patient in the moment.
This renewed inspiration comes at a good time. I have registered for the Arts in Health Intensive this January in Gainesville, Florida, my first time representing Acoustic Healing in person at a national gathering of people doing this kind of work. I am looking forward to bringing some of what I just relearned in Portugal into those conversations.
I will be back at the bedside soon, guitar in hand, carrying a little bit of fado with me.
David Villareal, RPh, CCM
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